bundadhaany — O

Exhibition view, Holding Ceremony: Brook Andrew & Pinaree Sanpitak , 2024.  Frieze No.9 Cork Street, London, UK. Photo by JUDDartINDEX.

Holding Ceremony

mulunma wiling mangi gudhi (inside the lip of a stolen song)

NGAAY/SEE

burbangbuwanha winha-nga-nha (Returned Ceremony of Memory)

GABAN

GABAN at Yoyi! Care, Repair, Heal

SUNSET II 2016 Brook Andrew 19th century map, paper, press photography, postcard, sapeli wood, neon 10,5 x 74 x 38,5 cm Collection: Van Abbemuseum, Eindhoven

Sunset

ngaay ngajuu dhugul birra (to see my skin broken)

Brook Garru Andrew, DIWIL, installation view, Murray Art Museum Albury, 2021 Photo Jeremy Weihrauch

GARRU NGAJUU NGAAY

This Year

Brook Andrew Horizon Line II installation view Photo credit: musée du quai Branly – Jacques Chirac photo Vincent Mercier

Horizon Line II

Unorientable, 2019

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In Vision of Nuance: Systems of Exposure

La Razza: Quiet Noise

The Space Between , 2018 site-specific installation of two artworks Seeing I-IV (inflatable sculptures) & Inconsequential I-VI (screen-printed textile). Dimensions variable Cotton, polyester, paint, fan blower and metal.

The Space Between

SMASH IT

14_Andrew,+Brook_What_s+Left+Behind_2018_silversalt+low+res.jpg

What's Left Behind

Installation view AHY-KON-UH-KLAS-TIK Museum intervention, Van Abbemuseum, Eindhove 15 September - 31 December 2017

AHY-KON-UH-KLAS-TIK

Interviews

The Right to Offend is Sacred

Studio view Spin Tolarno Galleries, Melbourne        6 April – 20 May, 2017

Spin

Room A; Mirror

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Standing by Tunnerminnerwait and Maulboyheenner

Sunset I,   2016 19th century Catalan cane, postal card, photography, Sapelli wood 89 x 57 x 10 cm

The Forest

Jumping into nation's party , 2016 Four-colour photolithograph, with collaged photolithograph elements and hand colour 76cm × 56cm JUMPING INTO NATIONS PARTY Edition: 30 Image size: 70cm × 48.5cm Paper size: 76cm × 56cm

JUMPING INTO NATION'S PARTY

Guardians of the galaxy: the motherhood number , 2016 Linen, acrylic paint, ink, foil 250 × 300 × 5cm

Space & Time

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Horizon I

Horizon I

WITNESS , 2014 Ink, foil, Alucobond, foam, neon, theatre light, sand bags, metal and rope Site specific installation Image courtesy Lyon Housemuseum and Lyon Collection. Photography Dianna Snape.

WITNESS

Installation view during performance De Anima RMIT Design Hub, Melbourne 2014-2015 Photos: Tobias Titz

De Anima

Installation view Evidence Museum of Applied Arts and Sciences (MAAS), Sydney 31 October 2015 –18 September 2016 Photography: Christian Capurro

EVIDENCE

Wood, paper, glass, archival materials. Archival collections from the artist, including Anatomy of a body record: beyond Tasmania   and 52 portraits , 2013; Museo Reina Sofia, Museo de América and Museo Nacional de Antropología. In

A Solid Memory of the Forgotten Plains of our Trash and Obsessions

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Sanctuary: Tombs of the outcasts

Installation view LOOP: A map of how the world operates , 2008 Installation at Pommery Experience #13: GIGANTESQUE! Pommery, France 14 October 2016 - 31 May 2017

LOOP: A map of how the world operates

Vox: Beyond Tasmania , 2013 Mixed media: wood, paper, glass, human skeleton and metal. Collection National Gallery of Victoria, Australia

52 Portraits & Vox: Beyond Tasmania

Installation view The Weight of History, The Mark of Time Cutaway, Barangaroo Reserve, Sydney September 2015

The Weight of History, The Mark of Time